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The Big Book of Reel Murders

Stories that Inspired Great Crime Films

Audiobook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks
Edgar Award-winning editor Otto Penzler's new anthology rolls out the red carpet for the stories that Hollywood is made of. Lights! Camera! Action! The latest book in the Big Book series takes us behind the curtain to uncover the stories that became some of the greatest films of the silver screen. Among these are Robert Louis Stevenson's horrifying tale that was later turned into the iconic movie The Body Snatcher, starring Bela Lugosi and Boris Karloff; and "Cyclists' Raid," the short story that formed the basis for the legendary Brando film The Wild One. Otto Penzler delivers the director's cut on these classic short stories and the films they gave rise to. So grab your Sno-Caps and a jumbo box of popcorn and curl up with these cinematic tales from the likes of Dennis Lehane, Joyce Carol Oates, Dashiell Hammett, O. Henry, Edgar Allan Poe, and Arthur Conan Doyle.
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  • Reviews

    • Publisher's Weekly

      September 23, 2019
      Movie and mystery buffs alike will savor Penzler’s ninth Big Book anthology (after 2018’s The Big Book of Female Detectives), which includes more than 60 stories that were adapted for the screen. The selections include both the usual suspects, such as Conan Doyle and Cornell Woolrich, and surprising ones, such as Budd Schulberg. Schulberg’s 1954 short story, “Murder on the Waterfront,” was the inspiration for the Oscar-winning Marlon Brando vehicle On the Waterfront, and his crisp screenplay dialogue is mirrored by gritty noir prose (“The police department had made contact with Runt, by means of a grappling hook probing the soft, rotten bottom of the river”). Unsurprisingly, most of the source material was changed significantly for the movies, such as Robert Bloch’s “The Real Bad Friend,” which morphed into the novel Psycho, before being made into a film by Alfred Hitchcock. Spoiler-averse readers may want to defer delving into Penzler’s informative and insightful introductions for each entry, which give away plot developments in both the story and film adaptations. Penzler’s scholarship and expertise enable him to both expose modern audiences to now-obscure talent such as Charlotte Armstrong, represented by “The Enemy,” and to the origins of classic films such as Bad Day at Black Rock. This will be a welcome addition to many libraries.

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  • OverDrive Listen audiobook

Languages

  • English

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