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The Making of Poetry

Coleridge, the Wordsworths, and Their Year of Marvels

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1 of 1 copy available

Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them before
June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and "Kubla Khan," as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth's revolutionary songs in Lyrical Ballads along with "Tintern Abbey," Wordsworth's paean to the unity of soul and cosmos, love and understanding.
In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood.
The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it.
The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.

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    • Kirkus

      Starred review from December 1, 2019
      A full-immersion exploration of two great poets at the end of the 18th century, a time that ended with the publication of their Lyrical Ballads. In his latest, Somerset Maugham Award winner Nicolson (The Seabird's Cry: The Lives and Loves of the Planet's Great Ocean Voyagers, 2018, etc.) provides an astonishingly rich re-creation of the months that the Wordsworths and Coleridges lived near each other in southwest England. The author tells us how they met, how they ended up living there, and how they spent their hours and days (lots of walking and talking) when both of them would write some of their most celebrated works--Coleridge: "Kubla Khan" and "Cristabel"; Wordsworth: "Tintern Abbey." Nicolson also reminds us continually of the women in the writers' lives: Wordsworth's sister, Dorothy, a crucial companion who suggested ideas; Coleridge's wife, Sara, who wasn't as much a part of the literary excitement. We also see the emerging--and then diverging--poetical attitudes of the two principals and their eventual separation. Nicolson, like Richard Holmes--to whom he pays tribute early in the volume--not only read the works of Wordsworth and Coleridge and conducted library research; he moved to the region and enjoyed the same nature walks, becoming extremely familiar with the woods and water. Periodically, he offers his own lyrical paragraphs about the terrain--about what it was like in 1797 and what it's like now. This reflects the author's deep commitment to the project and diligence in trying to truly understand these men and their writing. He also quotes and expatiates upon hundreds of lines of poetry, dives into their letters, and tells stories about some of their notable visitors (young William Hazlitt was smitten by Coleridge). Nicolson's passion sometimes leads him to suggest that all of this has been consequential for how we think and imagine today. A stunning example of a happy marriage between fecund imagination and devoted scholarship.

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      January 13, 2020
      In this elegant and vigorous paean to the Romantic period, Granta contributing editor Nicolson (Sea Room) profiles two of its greatest poets: William Wordsworth and Samuel Taylor Coleridge. He focuses on their stay, between June 1797 and September 1798, in a cottage in southern England’s Somerset county, a time that produced some of their best-known work: Coleridge’s The Rime of the Ancient Mariner and “Kubla Khan,” and Wordsworth’s Lyrical Ballads, among them. Nicolson retraces their long walks through the countryside and intense exchanges about art and ideas, while also providing useful historical context, reminding readers this was a time of “brutal inequality” at home and of war and revolution abroad. He is especially articulate on the two poets’ divergent creative paths, as a self-doubting Coleridge turned outward for inspiration, while Wordsworth searched inside himself and started on the path to his masterpiece The Prelude. Admirably, Nicolson also pays tribute to Wordsworth’s sister, Dorothy, who lived with them and kept a journal of the period, which provides a prose counterpoint to her brother’s poetry. Nicolson leaves poetry fans with a vivid portrait of famous literary figures as “living people, young, troubled, ambitious” and trying to make sense of a confusing world. B&w illus.

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